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When it pertains to becoming a fantastic jazz improviser, it's all about discovering jazz language. So unlike the 'half-step below approach' (which can be outside the range), when approaching from over it sounds much better when you maintain your notes within the scale that you're in. That's why it's called the 'chord scale above' strategy - it remains in the range.<br><br>If you're playing in C dorian scale, the incorrect notes (absent notes) will be C# E F# G # B (or the notes of E major pentatonic range). Half-step below - chord range over - target note (e.g. C# - E - D). In this post I'll show you 6 improvisation methods for jazz piano (or any kind of instrument).<br><br>I usually play natural 9ths above many chords - including all 3 chords of the major ii-V-I. This 'chordal texture' seems ideal if you play your right-hand man noisally, and left hand (chord) a little bit quieter - to ensure that the audience hears the melody note on top.<br><br>Simply precede any chord tone by playing the note a half-step below. To do this, stroll up in half-steps (through the whole chromatic scale), and make note of all the notes that aren't in your current range. Cm7 voicing (7 9 3 5) with single melody note (C) played to interesting rhythm.<br><br>Jazz artists will certainly play from a wide range of pre-written melodic forms, which are put prior to a 'target note' (usually a chord tone, 1 3 5 7). Initially allow's develop the 'appropriate notes' - generally I 'd play from the dorian scale over minor 7 chord.<br><br>NOTE: You also obtain a nice collection of actions [https://atavi.com/share/x0si4qzosdsl how to improvise jazz piano] play, from 7 - 1 - 9 - 3 - if you wish to play a short range in your solo. Nevertheless, to stop your playing from sounding foreseeable (and break out of eighth note pattern), you need to vary the rhythms once in a while.