Leading 6 Improvisation Techniques For Jazz Piano

It's all concerning discovering jazz language when it comes to becoming a terrific jazz improviser. So unlike the 'half-step below approach' (which can be outside the scale), when approaching from above it sounds far better when you keep your notes within the range that you're in. That's why it's called the 'chord range over' strategy - it stays in the range.

If you're playing in C dorian range, the incorrect notes (missing notes) will be C# E F# G # B (or the notes of E significant pentatonic range). Half-step below - chord range above - target note (e.g. C# - E - D). In this post I'll show you 6 improvisation methods for jazz piano techniques piano (or any tool).

I typically play all-natural 9ths over most chords - including all 3 chords of the major ii-V-I. This 'chordal texture' seems best if you play your right hand noisally, and left hand (chord) a little bit more quiet - to make sure that the listener listens to the melody note ahead.

It's great for these units to come out of range, as long as they end up solving to the 'target note' - which will normally be one of the chord tones. The 'chord scale over' technique - precede any kind of chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play three uniformly spaced notes in the area of 2.

Now you might play this 5 note range (the wrong notes) over the same C small 7 chord in your left hand. With this method you just play the exact same notes that you're currently playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

NOTE: You also get a great collection of actions to play, from 7 - 1 - 9 - 3 - if you want to play a short range in your solo. However, to quit your playing from appearing foreseeable (and break out of 8th note pattern), you need to differ the rhythms once in a while.