25 Easy Ii

When it concerns coming to be an excellent jazz improviser, it's everything about discovering jazz piano improvisation book language. So unlike the 'half-step listed below strategy' (which can be outside the range), when coming close to from over it appears far better when you keep your notes within the range that you're in. That's why it's called the 'chord scale above' technique - it remains in the scale.

So instead of playing two 8 notes in a row, which would last one quarter note ('one' - 'and'), you can split that quarter note right into 3 'eighth note triplet' notes - where each note of the triplet coincides size. The first improvisation method is 'chord tone soloing', which suggests to make up melodies making use of the four chord tones of the chord (1 3 5 7).

For this to work, it requires to be the following note up within the scale that the songs remains in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any kind of note size (fifty percent note, quarter note, 8th note) - but when soloing, it's normally put on eighth notes.

It's fine for these enclosures to find out of scale, as long as they end up resolving to the 'target note' - which will normally be just one of the chord tones. The 'chord scale above' method - come before any kind of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 equally spaced notes in the space of two.

Currently you can play this 5 note scale (the incorrect notes) over the exact same C small 7 chord in your left hand. With this method you simply play the same notes that you're already playing in the chord. Chord scale over - half-step listed below - target note (e.g. E - C# - D).

A lot of jazz piano solos feature a section where the tune quits, and the pianist plays a collection of chord voicings, to an intriguing rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal appearances', 'playing out' and extra.