Free Jazz Improvisation PDF Downloads

It's all about discovering jazz language when it comes to coming to be a fantastic jazz improviser. So unlike the 'half-step listed below method' (which can be outside the scale), when approaching from over it sounds far better when you keep your notes within the scale that you're in. That's why it's called the 'chord scale over' technique - it remains in the range.

So instead of playing 2 8 notes in a row, which would last one quarter note ('one' - 'and'), you can divide that quarter note into 3 'eighth note triplet' notes - where each note of the triplet coincides length. The very first improvisation method is 'chord tone soloing', which suggests to make up melodies utilizing the four chord tones of the chord (1 3 5 7).

I normally play natural 9ths over a lot of chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal structure' seems ideal if you play your right-hand man noisally, and left hand (chord) a bit more quiet - to make sure that the listener hears the melody note ahead.

Just come before any chord tone by playing the note a half-step below. To do this, walk up in half-steps (through the entire chromatic scale), and make note of all the notes that aren't in your existing scale. Cm7 voicing (7 9 3 5) with solitary melody note (C) played to interesting rhythm.

Now you might play this 5 note scale (the wrong notes) over the same C small 7 chord in your left hand. With this method you simply play the same notes that you're currently playing in the chord. Chord scale above - half-step below - target note (e.g. E - C# - D).

Most jazz piano solos include an area where the tune stops, and the pianist plays a collection of chord voicings, to an interesting rhythm. These include chord tone soloing, Bookmarks strategy patterns, triplet rhythms, 'chordal textures', 'playing out' and more.