25 Easy Ii

When it comes to coming to be a fantastic jazz improviser, it's all about discovering jazz language. So unlike the 'half-step listed below technique' (which can be outside the range), when approaching from above it sounds far better when you maintain your notes within the range that you're in. That's why it's called the 'chord range above' approach - it stays in the range.

So as opposed to playing two eight notes straight, which would certainly last one quarter note ('one' - 'and'), you can separate that quarter note into 3 'eighth note triplet' notes - where each note of the triplet coincides size. The very first improvisation strategy is 'chord tone soloing', which suggests to compose tunes utilizing the 4 chord tones of the chord (1 3 5 7).

I normally play natural 9ths above a lot of chords - consisting of all 3 chords of the significant ii-V-I. This 'chordal appearance' sounds ideal if you play your right hand loudly, and left hand (chord) a bit more quiet - to ensure that the listener listens to the melody note ahead.

It's great for these units to come out of scale, as long as they end up fixing to the 'target note' - which will usually be one of the chord tones. The 'chord scale over' method - precede any type of chord tone (1 3 5 7) with the note above. In songs, a 'triplet' is when you play 3 uniformly spaced notes in the area of 2.

Currently you could play this 5 note range (the incorrect notes) over the same C minor 7 chord in your left hand. With this strategy you just play the very same notes that you're already playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).

The majority of jazz improvisation techniques piano solos feature an area where the melody quits, and the pianist plays a collection of chord expressions, to a fascinating rhythm. These include chord tone soloing, technique patterns, triplet rhythms, 'chordal textures', 'playing out' and a lot more.