Free Jazz Improvisation PDF Downloads

When it comes to becoming an excellent jazz improviser, it's all about discovering jazz language. So unlike the 'half-step below strategy' (which can be outside the range), when approaching from above it sounds much better when you keep your notes within the range that you remain in. That's why it's called the 'chord range over' technique - it remains in the range.

So as opposed to playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), Bookmarks you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same size. The initial improvisation technique is 'chord tone soloing', which suggests to compose melodies using the 4 chord tones of the chord (1 3 5 7).

I typically play all-natural 9ths above the majority of chords - including all 3 chords of the significant ii-V-I. This 'chordal structure' seems best if you play your right-hand man noisally, and left hand (chord) a little bit more quiet - so that the audience listens to the melody note on top.

It's great for these rooms to find out of range, as long as they end up solving to the 'target note' - which will generally be just one of the chord tones. The 'chord range over' technique - come before any chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three evenly spaced notes in the area of 2.

Currently you might play this 5 note scale (the incorrect notes) over the exact same C minor 7 chord in your left hand. With this method you just play the exact same notes that you're currently playing in the chord. Chord range above - half-step listed below - target note (e.g. E - C# - D).

Many jazz piano solos feature an area where the tune stops, and the pianist plays a collection of chord enunciations, to a fascinating rhythm. These consist of chord tone soloing, approach patterns, triplet rhythms, 'chordal appearances', 'playing out' and much more.