25 Easy Ii

It's all concerning learning jazz language when it comes to becoming a fantastic jazz piano technique exercises improviser. So unlike the 'half-step listed below approach' (which can be outside the scale), when approaching from above it sounds much better when you maintain your notes within the range that you're in. That's why it's called the 'chord scale above' strategy - it remains in the scale.

So as opposed to playing two eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can divide that quarter note right into 3 '8th note triplet' notes - where each note of the triplet is the same size. The initial improvisation strategy is 'chord tone soloing', which indicates to compose tunes making use of the four chord tones of the chord (1 3 5 7).

I typically play all-natural 9ths over most chords - including all 3 chords of the major ii-V-I. This 'chordal texture' sounds finest if you play your right hand loudly, and left hand (chord) a bit quieter - to make sure that the audience hears the melody note on top.

It's great for these rooms to find out of range, as long as they wind up settling to the 'target note' - which will typically be just one of the chord tones. The 'chord range above' approach - come before any type of chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play three evenly spaced notes in the area of two.

Currently you might play this 5 note range (the wrong notes) over the same C small 7 chord in your left hand. With this strategy you just play the very same notes that you're currently playing in the chord. Chord scale above - half-step listed below - target note (e.g. E - C# - D).

Many jazz piano solos feature an area where the tune stops, and the pianist plays a series of chord enunciations, to an intriguing rhythm. These include chord tone soloing, strategy patterns, triplet rhythms, 'chordal structures', 'playing out' and more.