A Beginner Overview To Jazz Piano Improvisation

When it comes to ending up being a wonderful jazz improviser, it's everything about discovering jazz language. So unlike the 'half-step below approach' (which can be outside the scale), when approaching from over it sounds much better when you maintain your notes within the scale that you remain in. That's why it's called the 'chord range above' approach - it remains in the scale.

So as opposed to playing 2 eight notes in a row, which would certainly last one quarter note ('one' - 'and'), you can split that quarter note into three '8th note triplet' notes - where each note of the triplet is the same size. The very first improvisation method is 'chord tone soloing', which indicates to make up tunes utilizing the four chord tones of the chord (1 3 5 7).

For this to work, it requires to be the following note up within the range that the songs remains in. This gives you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be related to any type of note size (half note, quarter note, 8th note) - yet when soloing, it's typically put on 8th notes.

It's fine for these rooms to find out of scale, as long as they wind up resolving to the 'target note' - which will usually be one of the chord tones. The 'chord scale above' method - come before any chord tone (1 3 5 7) with the note over. In songs, a 'triplet' is when you play 3 equally spaced notes in the room of two.

Now you could play this 5 note range (the wrong notes) over the very same C small 7 chord in your left hand. With this technique you simply play the exact same notes that you're already playing in the chord. Chord range above - half-step below - target note (e.g. E - C# - D).

Many jazz piano improvisation piano solos include a section where the tune quits, and the pianist plays a series of chord enunciations, to an interesting rhythm. These consist of chord tone soloing, method patterns, triplet rhythms, 'chordal textures', 'playing out' and much more.