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When it involves becoming a great jazz improviser, it's everything about discovering jazz language. So unlike the 'half-step below strategy' (which can be outside the scale), when approaching from over it appears better when you maintain your notes within the scale that you're in. That's why it's called the 'chord range above' approach - it remains in the scale.<br><br>So instead of playing two 8 notes straight, which would last one quarter note ('one' - 'and'), you can separate that quarter note into 3 '8th note triplet' notes - where each note of the triplet coincides size. The initial improvisation strategy is 'chord tone soloing', which means to compose tunes using the 4 chord tones of the chord (1 3 5 7).<br><br>For this to work, it requires to be the following note up within the scale that the music is in. This provides you 5 notes to play from over each chord (1 3 5 7 9) - which is plenty. This can be put on any note length (half note, quarter note, eighth note) - but when soloing, it's generally related to 8th notes.<br><br>It's great for these enclosures to come out of range, as long as they end up solving to the 'target note' - which will typically be among the chord tones. The 'chord scale above' technique - precede any chord tone (1 3 5 7) with the note above. In music, a 'triplet' is when you play 3 uniformly spaced notes in the space of 2.<br><br>[https://atavi.com/share/x0swuhzyv4i4 jazz piano techniques] musicians will play from a wide variety of pre-written ariose forms, which are put prior to a 'target note' (normally a chord tone, 1 3 5 7). Initially allow's establish the 'right notes' - typically I  would certainly play from the dorian range over small 7 chord.<br><br>The majority of jazz piano solos include a section where the melody quits, and the pianist plays a series of chord expressions, to a fascinating rhythm. These consist of chord tone soloing, strategy patterns, triplet rhythms, 'chordal appearances', 'playing out' and more.